https://medium.com/the-year-of-the-looking-glass/how-to-present-designs-4a78c3ebca7b
“Mad Men” on AMC
No matter how utterly innovative, how pristine and beautiful a design idea is, rarely does it speak for itself when you are still in the middle of the creative process. (How can it? Short of being a complete work, it’s a fragment, a paragraph on its way to a full story.) If you are a designer or PM or architect or writer or anyone who spends most of their time living in a creative whirlwind, talking about design is an essential skill. Do it well, and you might be Don Draper, with the power to leave the room breathless, unified behind a vision that stirs an emotion deep inside your gut. Do it poorly, and you might sentence a promising young idea to an untimely death or fail to gather useful feedback.
I have sat through enough critiques, product reviews, and designer interviews to experience very tangibly the importance of a good design presentation. And good in this case isn’t about smoke and mirrors. It’s not “gee, this person is a slick, wheel-em-and-deal-em salesman who can sell rotting limbs to zombies.” You do not have to be a seasoned public speaker, and I’m not going to tell you to make eye contact or smile (though really, those things never hurt.) No, good in this case is about letting the content shine, clearly and without distraction. A good presentation ensures you’ve addressed expectations while successfully transferring the state of what’s in your head to the rest of the room. That’s it, plain and simple. That way, you can focus the bulk of the group’s time and attention on the work itself.
Let's break it down into a few concrete concrete steps. Pretend that we're still living in the post-apocalytpic, zombie-tastic world of my last design article. You’re designing and building an app called ShareVival because investing in the sharing economy is the hot new tech trend, and because it just seems useful for all the remaining humans to be able to pool their scant tools together and use them with maximum efficiency. You’re about to walk into a design review with ShareVival's CEO. What do you do?
This doesn’t have to be long. A few short sentences will suffice to set the context and reel people back into the mindset of the project.
“So last week, we walked through mocks for how you'll list survival items like a ZOMBIELIMINATOR™ on the app. The feedback was that the landing screen of the app was too focused on listing items and not focused enough on finding things you might want to rent. There was also feedback that listing items felt too complicated, with too many steps.”
This helps set the pace. For instance, things should be moving along quicker if you’re planning to cover 7 different flows and you have a limited amount of time. Additionally, if the person you’re presenting to has other ideas for what's going to be discussed, it’s best to clear them up ahead of time.
“Today, we’re going to look at how you’re going to discover and rent items from others on ShareVival. We’re not going to talk about a simplified listing flow today. We’ve been iterating on the feedback from last week but aren’t quite ready to get feedback on it yet. We’ll review that next week.”
Don’t just throw a mock on the screen and say “this is the landing screen” or “this is the search tab.” Users don’t talk that way, and design isn’t about filling in missing screens with some nice visuals while checking off a functionality box. Design is about problem-solving, and therefore talking about design should reflect that. Tell the story about how this particular design solves a problem. Put yourself in the user's shoes, starting with the most common goals.
“Now, we think the most common reason you’ll open ShareVival is because you're looking for something particular to rent, like a ZOMBIELIMINATOR™ or a zombie halloween mask for an infiltration mission. So when you open the app on your phone, you’re going to want to be able to search for specific items easily. That’s why we designed the landing screen to so search-centric. [Here is when you should pull up the mock for the landing screen.] So when you tap into the search field and start typing ZombiEliminator…" [proceed to complete the rest of the user story, all the way to the user finding and successfully renting a Zombieliminator.]
I say can because showing multiple versions isn’t always the right strategy. One useful rule of thumb here is that if you are really, really ridiculously confident that one particular direction is the best and you also have confidence that everyone else will agree (i.e., it won’t be controversial), you should probably just present and talk about that one direction. No need to waste time by showing a bunch of other stuff you think is clearly subpar.
But if you aren’t confident in one specific UI, or you get the sense that the room might have questions (as generally happens in design critique) showing how you arrived at your conclusion can invite better discussion. Seeing the entire history of your process and all the old ideas you tried anticipates questions like “did you try X?” or “I wonder what it looks like if we put Z in front of Y.” Similarly, showing your top two or three directions can lead to helpful feedback about how to weigh the tradeoffs or how the strengths of two different approaches can be combined.
“So with search, at first I thought that people might want to narrow their search to a particular category so they can be sure they're getting the right thing. “Zombieliminator” is both the name of a weapon and a deodorant. So if users picked ammunitions or personal hygiene first and then searched for the specific thing they were looking for…”